THE BELOVED DISCIPLE



"Oh?" Teabing said. "How about the one seated in the place of honor, at the right hand of the Lord?"
Sophie examined the figure to Jesus' immediate right, focusing in. As she studied the person's face and body, a wave of astonishment rose within her. The individual had flowing red hair, delicate folded hands, and the hint of a bosom. It was, without a doubt... female.
"That's a woman!" Sophie exclaimed.
Teabing was laughing. "Surprise, surprise. Believe me, it's no mistake. Leonardo was skilled at painting the difference between the sexes."

Before we argue about the identity of the beloved disciple, let us take a look at another painting of Da Vinci. Long curly hair. Absence of any facial hair. Smooth skin and a feminine smile. Who is this mysterious figure? Is it a he or a she? Take a guess. Hint: Take a ‘wild’ guess.

This is the painting of St.John. But what is more surprising is the fact that this is not St.John, the Apostle but St.John, the Baptist-cousin of Jesus. While his contemporaries painted, John the Baptist as a middle aged bearded man, Da Vinci has portrayed him as a youth. If we look at Michelangelo’s David, we will find that it was common practice among Renaissance artists to portray young men in this fashion. So the question is whether the beloved disciple was a woman or a young man?

Now we have two candidates for the seat of honor. Mary Magdalene, put forward by Dan Brown and St.John, put forward by Da Vinci himself.
In the sketches of the Last Supper, Da Vinci had marked this particular disciple as St.John. But let us not be biased. Let us judge the claims for their own merits. If Mary Magdalene was the disciple, then where is St.John? The disciple was present during the Supper as he was one of the select few who accompanied Christ to the Olive Mount.

Now what if the figure to the right of Christ was St.John? Mary Magdalene is not mentioned in the Last Supper narrative by any of the Gospels. So her absence  doesn’t affect our hypothesis. Also the portrayal of St.John is justified as he is considered as the youngest of the apostles. St.John is thought to have died around 100A.D which means he was still a young man at the time of the Last Supper. This can also be inferred from the fact that he is always mentioned along with his elder brother St.James as ‘the sons of Zebedee’. None of the other disciples are mentioned so often with reference to their father. In the Gospel of St.John, the author mentions that he was the beloved disciple who reclined on the shoulders of Christ. So, it is beyond doubt that the beloved disciple is St.John.


Now these are only direct facts that prove the beloved disciple’s identity. But Da Vinci has hidden even more clues and codes in The Last Supper which confirms the identity of the beloved disciple. I would like to present these in my next post. Till then, try to find the J and the T in the Last Supper. 

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2 comments:

  1. Thank you for an interesting reflection. However, I am surprised by two things: (a) You wrote "In the Gospel of St.John, the author mentions that he was the beloved disciple who reclined on the shoulders of Christ." I cannot find that information in the gospel text. (b) You have not mentioned Lazarus of Bethany, despite his being described as beloved on three occasions in John's gospel chapter 11. Sincerely, Renato Lings

    ReplyDelete
    Replies
    1. Thank you.
      As for (a), please read John 21:20 in connection with John 13:23.

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